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Kарикатура: объект, его чувственное восприятие и художественное воплощение (на материале романа Ивана Гончарова Обрыв)

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Ivan Goncharov, novel The Precipice, caricature, comic, Iwan Gonczarow, роwieść Urwisko, karykatura, komizm

Goethes Begriff der „Weltliteratur“ und „Faust“ als Comic: Interkulturelle Zugänge zu Goethe zu Beginn des 21. Jahrhunderts?

DOI: http://dx.doi.org/10.19195/0435-5865.141.6

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Weltliteratur, Faust, Comic, Interkulturalität, “Weltliteratur”, Faust, comic strips, multiculturalism

Literatura opowiadana obrazem (Recenzja: „Powieści graficzne. Leksykon”, red. Sebastian Jakub Konefał, timof i cisi wspólnicy, Warszawa 2015, ss. 544)

DOI: http://dx.doi.org/10.19195/0867-7441.22.21

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kultura popularna XX i XXI w., historia komiksu, teoria powieści graficznej, manga, filmowe adaptacje komiksów, popular culture of the twentieth and twenty-first century, the history of comics, graphic novel theory, manga, film adaptations of comics

A Different Outlook on the American Comic Book (Review: Anthony R. Mills, „American Theology, Superhero Comics, and Cinema. The Marvel of Stan Lee and the Revolution of the Genre”, Routledge, New York 2014, 216 pp.)

DOI: http://dx.doi.org/10.19195/0867-7441.22.22

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komiks amerykański, superbohater, teologia, monomit, Joseph Campbell, American comic book, superhero, theology, monomyth

Entre mondanité et libertinage : figures de l’amitié dans les romans de Charles Sorel

DOI: http://dx.doi.org/10.19195/0557-2665.64.3

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Sorel, friendship, worldliness, libertinage, comic novel, varietas, ambiguity

Synteza kina superbohaterskiego

DOI: http://dx.doi.org/10.19195/0867-7441.24.25

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superbohater, film amerykański, komiks, uniwersum, superhero, American film, comics, universe

Smrt kao politička roba u stripu Ljubazni leševi Zorana Panevskog i Ivice Stevanovića

DOI: http://dx.doi.org/10.19195/0137-1150.168.51

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comic books, death, pornographycation, politics, Serbia, komiksova kniha, smrt, pornografizace, politika, Srbsko

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